Squash Court West London

Good night, 2009!

Saluto il 2009 con cento tweet che hanno attraversato quest'anno che ho passato tra Montreal, Roma e Londra.

E che si levi il sipario sull'anno nuovo.

1. One of the beauties of Montreal: to run the risk to fall down from a friend's balcony O_O

2. Spending an hour at the swimming pool with 20 ladies in their sixties really helps me to feel like Naomi Campbell.

3. I should write "100 and more ways to take a bidet in North America".

4. Watching Pina Bausch in the movie "Habla con ella". Good night, Pina.

5. Doing pancakes with maple syrup. I'm so Canadian now.

6. Laughing http://bit.ly/uAjtG An untold by the comedian Sabina Guzzanti Berlusconi.

7. Painting a song http://soytuaire.labuat.com/

8. Sing the last verse that was missing: "We were for centuries Downtrodden and derided. Why are not one people, we are divided."

9. Persepolis 2.0 Support Iranians. Spread the world. http://bit.ly/s9VLS

10. Undressing my fb account.

11. Examines the construction of its limitations.

12. @ beppesevergnini We wanted to move a vulture in L'Aquila.

13. I refused a taxi paid by a friend to use my BIXI. This is an addiction. A kind of.

14. Everyone needs to choose His own path http://bit.ly/yE8fd

15. When you're leaving a country where you lived for a little while,everybody is nice to you.It's a kind of simulation of your last days:)

16. Ghedini è la bruttezza presente in ognuno di noi.

17. My first experiment with TiltShiftMaker http://tiltshiftmaker.com/ I like it! http://flic.kr/p/6Hf4nb

18. I'm impatienly waiting the next bestseller of my beloved prime minister:"How to reach your G-spot". Mr B, save us from frigidity. Amen.

19. Crying on the metro with so good friends she doesn't want to leave.

20. Un dernier orage nous dit au revoir. Tout est tumultuex. Bonne nuit.

21. Thinking about Tomas from Brazil who used to say " Home is where the heart is. "

22. Thanks for all I've learned in this respectful country and for all the smiles you gave me, I hope to see you all soon. Bye, my friends.

23. I found enemy all around http://bit.ly/lMluM

24. Rome is home?

25. http://twitpic.com/ceznw - Ok,now I've a BIG problem. Any advice? Is it stalking? :)

26. Ok, now Lis Quijote can go to sleep:) It's demanding to try to Have a Satisfactory customer service in Rome.

27. Alice in the street Acidland benjamasquelier @ 's blog http://tinyurl.com/dhjo8e

28. I'd like to laugh That Have The Mamma Roma has in her woe. http://tiny.cc/kwQ2C

29. "We live with a bit of ground in the past, the joyful lies the present and the overwhelming cascade of the future. "René Char

30. Hello Concetta, how are you? Angelo, how are you? We are all well. http://bit.ly/ 8WuSK

31. "Everybody wants to live at the expense of the state. They forget that the state is to live at the expense of all. "Frederic Bastiat

32. Ready to camp for 15 days. Will I survive? Sardinia, I'm coming.

33. On Tafter Journal in September: "The district of cinema and audiovisual Montreal" http://bit.ly/129L30

34. I love marshmallows http://bit.ly/4l1QJk Do you?

35. "In Italy we are not good at organizing the world, we are good at navigating the world ..." by a speech by @ lucadebiase # TLAB

36. noise not to be afraid. http://dailymotion.virgilio.it/video/x6b37w

37. and I @ _Xtiana_ we arbitrarily decided that scent is feminine, while smell is male.

38. "The beauty I want is where it all ends, that beginning in reverse, where the human disappears, and the divine dance powerfully." I. Santacroce

39. Nun you look angry, ca 'or sugar goes high.

40. # iamproudof giving up smoking cigarettes.

41. Central Park. I love in the dark. [A couple of the big Italian music] http://bit.ly/euA1Z

42. I find very interesting is the third installment of "Liquid Life" by Z. Bauman, for those who work in arts and culture sector. A must read. 4:58 PM Oct 4th from web

43. "I want an injection of confidence. And if something burns inside, we pretend to be toast." http://bit.ly/1DdthA

44. transhumance.

45. Togetherness.

46. "Consumerism is an economy based on deceit, and sull'esagerazione on waste." [More Bauman, chapter V]

47. I'm not so sure That all the minth eating in your Mojito is a good idea.

48. My father Baccaiano. [The verb Baccaiano]

49. The Italians were very fond do cheers http://bit.ly/coHcI, but could not stand the sight of the truth revealed by time http://bit.ly/11PeJa

50 . If I should choose to just listen to my voice to life long, I would choose Tom Waits' voice to soothe my soul. Forever and ever.

51. To My grandpa Rodolfo # beatCancer

52. Vivo [I hope not for long] in a blue velvet curtains from the studio. http://bit.ly/2eoLsC

53. I'm a Twitter translator:)

54. I saw houses that you humans ...

55. A people's history of the internet: From Arpanet in 1969 to today http://bit.ly/4a1zFQ

56. thanked all those who use 12345678 as a password to protect their wi-fi

57. RT @ MKL "The future is already here. It 's just badly distributed." William Gibson

58. Me llamo Elisa # but Gustan nada no me las telenovelas.

59. "How would you feel if you had to ask 4 million people for permission to get married?" http://bit.ly/2cZ7mJ

60. Un ritratto intimo di Alda Merini. http://bit.ly/1atizL [video]

61. RT @ TwitLetteratura Essere o benessere? (Marcello Marchesi)

62. Sente che dentro qualcosa si è rotto. Ma stavolta è per fare spazio al nuovo. Slowly advancing.

63. @ Reuven_Halevi Going Faster Than a roller coaster http://bit.ly/1YbFdW how I feel. Everything is questioned, but I like challenges

64. rulers: the crucifix appendeteci your hypocrisy.

65. I know 'de pot.

66. RT la bio di @ nicola_favero "I was not afraid of the words of the violent, but of the silence of the honest."

67. Let what you love be what you do.

68. is on the road to Tunis.

69. 'No me gusta el arte que diviniza el ombligo de quien lo practica. Me gusta el arte que sirve para sanar.' http://bit.ly/12EUbH

70. C'est difficile à expliquer, l'anarchie... http://bit.ly/tN9Xh

71. L'Italia mi sembra un paese di ciliegine senza torta sotto. http://bit.ly/4aiDuR

72. Spero che l'Italia impari presto e bene il linguaggio del rispetto nel parlare delle differenze che abitano ognuno di noi.

73. « Io sono always have been like when I was not as they are and how they will not know anyone because they are not only as they are 'P. Valduga

74. For my Twitter ladies http://bit.ly/4ytb4s # gudnait

75. In writing tweets, after being on # wave, I look back with a strange feeling that someone could read my thoughts.

76. They disturbing bodies lie in the sun and the moon rising perdono ogni pudore http://bit.ly/3JRRLL #gudnait

77. Facciamo luce sull'epilessia http://bit.ly/3TsPQ RT, please

78. E per chi non lo avesse ancora visto http://bit.ly/1zECNB "R.I.P.: A remix manifesto" di Brett Gaylor #freeculture

79. J'adore RT @ SilverPhoenix76 Ho studiato tanto per scoprire che dio non esiste. Laureateo.

80. If Tw is half democratic, not all the tweeters seem ready to enjoy the democracy.

81. Acuerdo de Lis. http://bit.ly/11hn5n

82. I miss Montreal http://bit.ly/3omlf (via @ MagicRat )

83. A # FF heart to those who, five months ago, has guided my first Steps Tw: @ @ fmazzucato Reuven_Halevi fraska @ @ @ filippocioni rossella76 Mediterranean @ @ @ _Xtiana_ @ linux29 miss_espresso

84. I wish I had a target between the eyes to capture the expression of the stupid people who say they are married.

85. Maybe we should go down. http://bit.ly/6wsE86 [Interview a U.Galimberti]

86. "Sono anche questo" dice la mia nuvola.

87. Quelli che NON benpensano [ http://bit.ly/40O9Al ] ---> My new Tw list (work in progress) http://bit.ly/6zinZo

88. "Andiamo a Londra a dimagrire." http://bit.ly/4qNMBE

89. & the unbearable lightness of the tweet.

90. you overcome your pain threshold? http://bit.ly/8kYq3a [via @ dillingertwitt]

91. of lives that are born.

92. 'And you, and you, and you, Gotta Give Them Hope' http://bit.ly/TuS9g

93. "Io non vorrei questo giorno finire e buttarmi nei cascami della notte. " http://bit.ly/7CVhGJ [Mariangela Gualtieri]

94. "Sono vicina ad ambienti dei social network." http://bit.ly/5xPAHY Grazie Bruno, questa me la rivendo nel cv. #noncirestacheridere

95. "Ciascuno chiama idee chiare quelle che hanno lo stesso grado di confusione delle sue." Marcel Proust

96. Babelesque.net hosts my reading of "They're shredded the sky" http://bit.ly/85dqys (words and voice: mine) Comments are welcome!

97. 'Avatar' is sublime.

98. & maintenance of the fringe.

99. & the joy of rediscovering the beauty of your city through the eyes of a friend come from afar.

100. understand that the only geography that matters is that your body, your memory and your feeling. # momentipositividel2009

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Help yourself. When

I ate everything il giorno
come se non avessi mai visto del cibo in vita mia.

Come se ciò di cui avessi una fame disperata,
fosse un'identità.

Milena Velba Free Fotos

Notes on Democracy (1)

This blog post was included in the April 22, 2008. They change the date so it can appear with today's date, and then be displayed on top of the blog.
The reason is due to the growing relevance of its content, as against the hypocrisy of power (political, but also big business and organized crime in an indistinguishable jumble as claimed General Fabio Mini in his book The war after the war , Einaudi 2003) nothing can be ordinary citizens, nor with the peaceful protest with either the instrument of voting, which is proving more of a farce, or at least, a ritual devoid of content and, therefore, a fortiori, a farce and a mockery to human reason.

... Finally, we will not attack the democracy on the line starting with De Maistre climbs through Nietzsche, to ... and countless others who bear the extraordinary decline of liberal democracy, especially the moral of modern society.

not decay, moral or otherwise, che ci interessa qui. Ma la coerenza. Noi crediamo che tutti i sistemi siano più o meno buoni, o che co­munque abbiano la possibilità di reggere, a se­conda che rispettino le premesse e i postulati su cui poggiano o affermano di farlo. Se questa coerenza non c'è, o viene meno, il sistema, pri­ma o poi, crolla. Non perché perda la legittimi­tà - … - ma la credenza nella sua legittimità da par­te di coloro che vi sono sottoposti.
Il féudalesimo ha funzionato discretamente per parecchi secoli, in Europa. I patti erano chiari. I contadi­ni e gli artigiani lavoravano e mantenevano la comunità, i signori, in cambio, avevano però due obblighi precisi: dovevano difendere il ter­ritorio ... And administer justice in their fiefdoms. When you delegate to others the profession of arms, leaving, in fact, their castles, and they moved to Versailles to do, imparruccati, raddled and lace, the fops, the middle class will drive them out, correctly, kicks ass.
I fear that democracy is on this road.
... Representative democracy, liberal, bourgeois, in short, the "real democracy" as we know it and live it, and that is currently dominant, it is not democracy. It is a fiction. A parody. A scam. A fraud. A scam. We define it in a brutal manner, and in a first approximation that sin to default (because, as we shall see, the reality is even worse), "a way to put it in the ass to people with his consent." (P. 29-31) According to the vulgate

elements considered essential, and minimal, for the existence of democracy are: 1) The vote must be equal. It 's the concept that the Anglo-Saxons with the couplet expressing one man, one vote, one man one vote. ... 2) The vote must be free. It must be the consequence of that is a natural choice, conscious choices between different indeed. The rulers must have a real consent of the governed. 3) Governments must be able to exercise control over and the decisions of rulers. 4) These acts must be public and transparent. 5) Compliance with predetermined procedures. 6) The equality of all citizens before the law. 7) Democracy, like almost every other system (...), rejects violence as a means to resolve political conflicts and private and replaces the first, with elections by universal suffrage and the empire of the law for the latter. (Page 52-53)

Democratic political class is made up of people whose only distinguishing factor, and tautologically, that of politics. Their legitimacy is entirely internal to the political mechanism that produced them. They are professional politicians, who live by politics and policy in the lucid and pitiless analysis of Max Weber writes that "in politics as a profession who lives tends to make a lasting source of income". ... Since there's no quality selection of pre-political nomenklatura is self-referential, purely bureaucratic apparatus is inside the party struggles through the dark, cruel, degrading and often fraudulent. Note
Tocqueville ... "In democracy ordinary citizens see a man come out of their files and come in a few years to the wealth and power, this show raises their surprise and their envy, they are looking into how he che era un loro uguale sia oggi investi­to del diritto di dirigerli». Vediamo e sentia­mo i nostri governanti simili a noi e forse, a tor­to o a ragione, peggiori di noi e li disprezziamo. Sartori scrive che «noi valutiamo gli uomini, ri­fiutiamo di obbedire a chi disprezziamo». La democrazia dimostra che è vero il contrario: si ubbidisce anche a chi si disprezza. E se la cre­denza nella legittimità del sistema democratico può restare sufficientemente alta da tenerlo in piedi, quella delle persone che concretamente lo incarnano è quasi nulla". (pag. 57-58)

(1) - Tratto da: Massimo Fini, Sudditi – Manifesto contro la democrazia , Marsilio, 2004.

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Crosses (with crap that get worse every year + proposal)

We are on the usual, is more than a year and I do not write on this blog, but I have to intervene for the crap you hear around this time. About the crucifix in schools that I have a semi-serious proposal, however, the League & Company may be given the status bill, cleared by the altars of hoax Kultura Di Massa.
not a great idea, but at least it is original and, of course, would serve to strengthen our Christian roots of Europe.

Yes, well, a reminder for those ... fallen from heaven (pardon: a cart of the sea) do not know where they are at that time and especially for the Saracens, these accursed Saracens who want to compete with Bagnasco.

Yes, of course, really! If you really must do battle for the corcifisso that at least one weapon it as Constantine and since it would bring a heavy and awkward size visible on him (also complain that even the mothers of the backpack boy the weigh too much when he goes to school), it is better infrastructure, the area with his presence, as in the images, maybe using the TFR, as recommended Epifani.

on buses would be ideal, because running the length and breadth of the city, provided you leave amply clear view to the driver, and then on the shelters, so those who can pray fade waiting to board, while others may meditate, then on billboards scheduling of trains and planes that just look at them all, Jews, Muslims, Hindus, Shinto and understood, and, again, that there are no longer on the bus in the parking lots so when there is a row, after you get off, you could convert waiting to download, and, of course, in the houses of entertainment (including those for trans ), so as to facilitate conversions could do without being confined to a convent for months at taxpayers' expense.

The problem, however, need to be addressed for proper calibration messaggio è di natura estetica. E' meglio il crocificco di Giotto o quello di Caravaggio? O quello di Goja? O quello di Dalì?

Naturalmente, data la delicatezza della questione, ci vuole una commissione parlamentare che dia le Linee guida che, poi, varranno sviluppate da una commissione di esperti, magari in base ai luoghi di installazione (che sò? Alla stazione centrale di Milano, visto che è vagamente all'antica si potrebbe mettere un Goja, mentre a Roma Termini parrebbe meglio un Dalì).

E poi c'è anche una proposta più ... diciamo ... di minima. Cioè lasciarlo stare dov'era due millenni fa, azzerando due millenni di fraintendimenti.

Perchè, it is true, Hegel (*) Padania is not widely read, nor in the rest of the clergy, but he said that the phrase "Do not look for me because I will be among the dead among the living Jesus of Nazareth meant that he, that is, the sacred, the mystery is in all living beings, pigs (such as the League of Filth) and including chicory, and not as the Church says that he would be resurrected. If

"crucified" means "one who was crucified" (past participle of the verb crucify, or "put on the cross") would seem like a macabre flavor to hoist a banner that guides a people or, at least , a mass of people. If you are going to simply
the cross, that is, two wooden poles in the shape of a cross, I can still taste the most gruesome, as the proponents of this "symbol" refers to an instrument of torture and, therefore, death.
that the set of "cross" and "crucified" were paradigm of a society that has its roots in the darkest Middle Ages and in the most cruel history of the Inquisition, at least until 1800 by the counter, I do not think a " value "that can be placed at the foundation of European culture. It would also be a dark warning to those who are neither Christian religion, much less Catholics.
And these days, if it seems desirable behavior generally, it seems to be that of tolerance, discussion and debate, not the symbols or hoisting plant fences and walls.

(*) Georg Wilhelm Friedrich Hegel, Lectures on the Philosophy of History , Laterza, Bari, 2003, pp. 265-282.

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4:09 a.m. to 20 years believed

Che i capelli lunghi mi rendessero donna.

E che sorridere fosse il modo più rapido
per far arrivare la felicità.

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AM

In quella piegha della notte
in cui le ore scorrono con la disinvoltura dei minuti,
riparo i miei thoughts from a viral decay
hill and my hands upon me as if I were you.

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What is clear.

That is clear.

I should not be so hasty in defining
takeoff and landing strip. Detachment. The discovery.
yield the most sublime feelings of love and loss.

then I should look euphoria
awareness that everything is evanescent. The tears, the kisses, the rant.
Without guidance, the road it is intriguing and quite steep.

Here, it is clear. I did not want to run.
But I thought the fastest way to collect the embrace of the valley.
I have enjoyed, it is true, many times.
But the momentum, the rush, the speed I have filled the eyes of the earth.

I have not tasted the intensity of blue light that spread to sunset.
And I shook a few hands with the desire to sniff.
Snow, I have not eaten, nor tossed, nor loved.

Now that this place is a new place.
Che si chiama come me.
The epileptic reverie fatta persona.
Posso frenare questa corsa, questo tonfo,
questa vertigine paurosa fatta di accenti e interpretazioni.

Voglio procedere con la lentezza propria di un altro tempo.
Voglio deglutire ad ogni pausa del cielo che mi sormonterà.

Sono pronta. L., Andrò.

Burning Blisteron The Shoulder Blade

broke the summer.

Da maggio a settembre
mi sono lasciata accordare.
Non ho scritto
per confusione e per pudore.

Il mio pensiero si vergognava di lasciarsi spogliare.

Troppa incoerenza nel respiro
per darsi con trasporto.

Così l'acqua e la terra sono rimaste tali,
e, timida, ho spiato il fango solo da lontano.

Ma ora l'estate si è rotta
come una risata trattenuta ;
crashed in the dark
and no longer has to go.

Body and breath are now granted .
and free to vibrate.

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No one is available to chat. The chaos of my desire


No one.

And this increases the size of my sadness.

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Primissimo e rudimentale esperimento di parole trasformate in immagini.

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The secret of the search is not found

Video intervista, curata da Cristina Locatelli e la sottoscritta, al regista e compositore Massimo Munaro, Teatro del Lemming. I testi sono tratti da "Teatro del Lemming" di Marco Berisso e Franco Vazzoler e le musiche sono di Massimo Munaro. Il video è stato proiettato in Sala Conferenze del Mart durante il forum " Neuroscienze e teatro: la percezione dell'altro nell'esperienza estetica " nel giugno 2007.

Ecco una sintetica descrizione degli argomenti trattati durante il forum:

La rappresentazione teatrale implica per sua natura la presenza dello spettatore. Questa presenza è passiva o partecipa ad un rito di creazione collettiva? Attraverso l'analisi del legame tra movimento, spazio e percezione, la ricerca, sia in campo scientifico che artistico, s'interroga sul valore cognitivo della mimesi e su come l'alterazione dell'ambiente circostante possa variare tale percezione. Quanto la recente scoperta del sistema mirror può chiarire i principi d'immediata condivisione su cui si fonda il teatro?

"That's the compact circle of the customs and religious rituals , ceremonies and recreational activities, came out someone who had just taken the bold decision to break away from the cultural community.

A move [...] were neither pride nor the desire to attract public attention [...]. The stakes should be higher a Community of paramount importance [...].
in front of those who remained on the one hand, stood up a perfect being similar to each other and yet (out of some "operation" mysterious and wonderful) infinitely far away, terribly foreign, as inhabited by death, separated from them by a barrier which, though invisible, was not therefore less frightening and inconceivable, that its true meaning and horror that can not be in the dream.
So in a flash of blinding light suddenly saw the image of man, boisterous, clownish tragically, as if he saw for the first time, as if they had just seen himself. It was certainly an impression that could be described as metaphysical. "

Tadeusz Kantor

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Only America



I never saw anything more lonely in North America.

Like a drunk husband
voraciously has beaten his wife
to occupy the areas most secrets.

And his death he found himself alone,
in geographic space immensi
quanto mentalmente angusti.

In cui lo guardo è assente,
ma, ad ogni modo,
non c’è più niente da guardare.

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Press Start


Una tavola di 1 anno e mezzo fa, nata da una fotografia scattata al Denkmal für die ermodeten Juden Europas, monumento di Berlino in memoria delle vittime dell'Olocausto.

La tavola è stata selezionata per il catalogo dell'OFFF, l'International Festival for the Post-Digital Creation Culture, durante l'edizione autunnale del 2007 svoltasi a NY.

Il tema era :"Press Start".

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Fertile




Montreal (or Montreal, as you prefer to view)
was dissolved in a liquid mixture
accompanied by cigarette butts, plastics and various accumulated dirt.

She cried a whole week
from every balcony and every roof.
Drop by drop,
has consumed her menstrual cycle colorless and odorless.

that reflects the feeling of lack of winter.

Every step I take is now free to feel the ground without
sink restlessness of the unknown.

Now every road leads
every intersection and separates.

is over time to float a foot out of life.

again I feel the weight of words and passages.
of people and create opportunities.

fertile Finally, even if orphaned
squares,
I have the choice between his hands.

The caress,
pretending to sit on the edge of Ponte Sisto.